The City of the Dead series explores how archaic cultural heritage and globalisation forces shape the identity of Cairo necropolis’ inhabitants. Since 1960, rural migration and housing crisis in Egypt have forced the capital’s poorest populations to relocate in Al Qarafa, the city’s most ancient Islamic graveyard. Immersed in a zone where the borders between life and death are abolished, the residents of Al-Qarafa lead an otherworldly, yet normal existence. The City of the Dead series is part of Era Incognita, the artist's ongoing project on displacement and Mediterranean exiles.
2019
Les Rencontres d'Arles, The Living, the Dead and Those at Sea, cur. Matthieu Orléan (FR)
Jimei x Arles Festival, cur. M. Orléan, Sam Stourdzé (CHN)
2018
Beirut Fictions, Galerie Sator at Paris-Photo
2016
Beirut Art Fair, Sunlight/Unlight, Elie Saab
2019 Madame Figaro prize Women in Motion, Les Rencontres d'Arles
Libération, Evangelia Kranioti, Ici l'onde by Gilles Renault (FR)
The Guardian, From Rio to Siberia : Kranioti's world of lost souls (UK)
Le Figaro, Arles : À la recherche du temps perdu by Valérie Duponchelle (FR)
Le Figaro, Arles : Le palmarès des connaisseurs by Valérie Duponchelle (FR)
TV5 Monde, Focus sur Evangelia Kranioti by P. Achard (FR)
FranceInter, Regardez voir aux Rencontres d'Arles by Brigitte Patient (FR)
Le Point, Bon anniversaire Arles by Brigitte Hernandez (FR)
Le Point, Les Rencontres d'Arles 2019 : Les Européens by Didier Quilain (FR)
L'Express, À Arles, le documentaire au delà du réel by Julien Bordier (FR)
Vimagazino, From Novorossiysk to Arles, by Marilena Astrapellou (GR)
Paris-Match, Trois pépites des Rencontres d'Arles, by Karelle Fitoussi (FR)
Süddeutsche Zeitung, Die Seherin by Peter Richter (DE)
Beaux-arts magazine, Les 8 expos qui embrasent Arles by Emmanuelle Lequeux and Natasha Nataf (FR)